Hun hjalp mig – hun hjalp I sit essay skriver Gossett: “Som Frankrikes dokumentar begynder at gøre sin vej til store målgrupper, kan jeg ikke stoppe med at tænke på de stemmer, der er blevet skubbet til side i processen. August 12, 2019 By Larry Luowei Zhang This portrait depicts the remarkable transgender and AIDS activist Marsha P. Johnson. She doesn’t believe that we need to rewrite our politics, but tap into the power of historical figures like Johnson and living legends like Miss Major Griffin-Gracy. On July 6, 1992, Johnson’s body was found in New York City’s Hudson River. Silver-tongued filmmaker and artist Reina Gossett modeled complexity and vulnerability when she revealed that noted director David France lifted major source material for his award-winning documentary, The Death and Life of Marsha P. Johnson. “Never mind that it is a famous tape, used in multiple previous films, on PBS in 1995 and HBO in 2011.”“My team and I were able to find five separate cinematographers from that day in 1973 as part of this massive work we were doing,” said France. Two-thirds of the organizations and institutions that originally agreed to screen In response, France appears to be mounting an effort to rescue his latest film’s reputation as well as his own. Then in a separate text message to France, Grant appears to reiterate the point made in her statement to “The problem for me is — I feel like every white gay guy on Earth is dragging Reina for being ‘wrong’ about those two things and therefore missing the larger question about who gets to tell our stories,” the text to France reads. Hvis ja, hvordan kan jeg bruge min adgang for at sikre, at de får plads, ressourcer og support til at fortælle det?Medieholdere – redaktører, forlag, filmstudier og lignende – skal begynde at investere i talent bag kulisserne, udvikle og udlevere marginaliserede stemmer for at fortælle deres egne historier. Gossett havde sat ud på en rejse til mine oplysninger om venner Sylvia Rivera og Marsha P. Johnson, to transaktivister og pionerer af LGBTQ-bevægelsen, som var medvirkende til Stonewall Riots i 1969 og fortsatte med at samfinde gruppen Street Transvestite Action Revolutionære (STAR) for at give bolig og ressourcer til lavindkomst trans og kønsbestemmende mennesker.Det var gennem Gossetts digitale arkiver, at jeg mødte superhjerter,Johnson og Rivera bidrog så meget – inklusive deres egne kroppe og velvære – til den voksende LGBTQ-bevægelse, men som de fleste fattige mennesker, brune og sorte mennesker og transfolk, og især dem i krydset mellem disse identiteter, blev de overset, da det kom til bevægelsens skriftlige historie, som er blevet overvældende helvetet af cisgender hvide mennesker med adgang til udgivelse.Det var gennem Gossetts digitale arkiver på Tumblr og Vimeo, hvor jeg mødte superhellige, virkelige mennesker, som jeg ikke havde adgang til at vokse op. was backed over 630 times and raised a total of $35,700! Marsha P Johnson, Sylvia Rivera and STAR are all much more known than in my early tumblr years that are archived on this site. , co-directed med Sasha Wortzel, er sat til udgivelse i 2018. He passed away in a field and wasn’t found for many months. They didn't want us involved. Friends in my neighborhood would ask why they’d see my dad at the [psychiatric] hospital. Internettet har introduceret mig til nogle af mine nærmeste venner. Hendes arkiv var gratis, tilgængeligt og dybt informativt, og det introducerede mig – og min generation, der ikke levede gennem Stonewall Riots, dannelsen af ​​LGBTQ-bevægelsen og AIDS-krisen – til vores radikale, resistente rødder. Reina Gossett www.reinagossett.com Navigation.